Sources

Sources

  • Toni Bentley, “Sisters of Salome” (New Haven: Yale University Press, 2002)
  • Colette, “My Apprenticeships; and Music-Hall Sidelights” (Harmondsworth: Penguin, 1979)
  • Phillipe Collas, “Mata Hari: Sa Veritable Histoire” (Paris: Plon, 2003)
  • Thomas Coulson, “Mata Hari, Courtesan and Spy” (London: Harpers & Brothers, 1930)
  • Janet Flanner, “Paris Was Yesterday” (New York: Popular Library, 1972)
  • Russell Warren Howe, “Mata Hari, the True Story” (New York: Dodd, Mead, 1986)
  • Marijke Huisman, “Mata Hari (1876-1917): De Levende Legende” (Hilversum: Verloren, 1998)
  • Julia Keay, “The Spy Who Never Was: The Life and Loves of Mata Hari” (London: Michael Joseph, 1987)
  • H.W. Keikes, “Mata Hari” (Den Haag: Kruseman, 1981)
  • Fred Kupferman, “Mata Hari, Songes et Mensonges” (Brussels: Editions Complexe, 1982)
  • Jean-Marc Loubier, “Mata Hari: La Sacrifiee” (Paris: Acropole, 2000)
  • Christine Lueders, “Apropos Mata Hari” (Frankfurt am Main: Verlag Neue Kritik, 1997)
  • Axel Madsen, “The Sewing Circle: Hollywood’s Greatest Secret: Female Stars Who Loved Other Women” (Secaucus (NJ): Carol Publishing Group, 1995)
  • Erika Ostrovsky, “Eye of Dawn: the Rise and Fall of Mata Hari” (New York: Macmillan, 1978)
  • Tammy M. Proctor, “Female Intelligence: Women and Espionage in the First World War” (New York: New York University Press, 2003)
  • Suzanne Rodriguez, “Wild Heart, a life: Natalie Clifford Barney’s Journey from Victorian America to Belle Epoque Paris” (New York: Ecco, 2002)
  • Leon Schirmann, “Mata Hari: Autopsie d’une Machination” (Paris: Italiques, 2001)
  • Pat Shipman, “Femme Fatale: Love, Lies, and the Unknown Life of Mata Hari” (New York: HarperCollins, 2007)
  • Diane Souhami, “Wild Girls: Paris, Sappho and Art: the lives and loves of Natalie Barney and Romaine Brooks” (London: Weidenfeld and Nicolson, 2004)
  • Jean-Pierre Turbergue, ed., “Mata Hari: Le Dossier Secret du Conseil de Guerre” (Paris: Italiques, 2001)
  • Sam Waagenaar, “Mata Hari” (New York: Appleton Century, 1964, 1965)
  • Richard M. Watt, “Dare Call It Treason” (New York: Simon & Schuster, 1963)
  • Julie Wheelwright”,The Fatal Lover: Mata Hari and the Myth of Women in Espionage” (London: Collins & Brown, 1992)
  • George Wickes, “Amazon of Letters: the life and loves of Natalie Barney” (New York: Putnam, 1976)
  • Theodore Zeldin, “France, 1848-1945: Ambition and Love” (Oxford: Oxford University Press, 1973, 1979)
  • ”France, 1848-1945: Taste and Corruption” (Oxford: Oxford University Press, 1977, 1980)

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